zumpano was the group carl newman was in before the new pornographers; it was his tenure in that band that provided his credentials, that allowed the press to label the new pornos as a supergroup. they're talked about far less than destroyer, and, indeed, it's not newman's name that gives the band its name (he's sort of like the teddy pendergrass to jason zumpano's harold melvin--both of them drummers!) but at their best they were, yes, a super group, and "the party rages on" shows them at their peak. what separates this from his later work w/ the new pornos is the impotency of it, if you will. the new pornos are a muscular group, thudding and crashing, while "the party rages on" flops like the fringes on the band members and bounces like the kids pogoing in the crowd. still, even a cursory listen to the record demonstrates that newman had no gestation period or latency phase--in other words, he's had a way w/ words and tunes way before anyone knew who he was. the only giveaway is the closing harmonic breakdown, which tips its hat a little too generously to the band's power pop forebears. but that's just a peccadillo : "the party rages on" remains after all of these years one of newman's best compositions and an "i will survive" for the poptopia! crowd.
09 January 2006
zumpano was the group carl newman was in before the new pornographers; it was his tenure in that band that provided his credentials, that allowed the press to label the new pornos as a supergroup. they're talked about far less than destroyer, and, indeed, it's not newman's name that gives the band its name (he's sort of like the teddy pendergrass to jason zumpano's harold melvin--both of them drummers!) but at their best they were, yes, a super group, and "the party rages on" shows them at their peak. what separates this from his later work w/ the new pornos is the impotency of it, if you will. the new pornos are a muscular group, thudding and crashing, while "the party rages on" flops like the fringes on the band members and bounces like the kids pogoing in the crowd. still, even a cursory listen to the record demonstrates that newman had no gestation period or latency phase--in other words, he's had a way w/ words and tunes way before anyone knew who he was. the only giveaway is the closing harmonic breakdown, which tips its hat a little too generously to the band's power pop forebears. but that's just a peccadillo : "the party rages on" remains after all of these years one of newman's best compositions and an "i will survive" for the poptopia! crowd.
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